Ricardo Palma dentro del teatro de la independencia peruana. Aspectos ideológicos en Rodil (1851)

Miguel Ángel Vallejo Sameshima

doi:10.31381/ap.v0i17.2138

Ricardo Palma inside the theater of Peruvian independence. Ideological aspects in Rodil (1851)

Authors

Miguel Ángel Vallejo Sameshima

DOI:

https://doi.org/10.31381/ap.v0i17.2138

Keywords:

Tether of Independence, Peruvian romanticsm, creole political project

Abstract

This paper contextualizes Rodil, the only known drama by Ricardo Palma that belongs to the theatre about the Peruvian independence and the aesthetic of the Peruvian romanticism. The aim is to interpreter the ideological aspects of the play through an analysis of the acts of speaking.

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Published

2019-05-28

How to Cite

Vallejo Sameshima, M. Ángel. (2019). Ricardo Palma inside the theater of Peruvian independence. Ideological aspects in Rodil (1851). Aula Palma, (17), 423–438. https://doi.org/10.31381/ap.v0i17.2138